As someone who dislikes both Will Ferrell and the Eurovision Song Contest something akin to a passion, I went into Eurovision: The Story of Fire Saga fully expecting to hate this film, the only saving grace being that I think Rachel McAdams is a great comedic actress. Thankfully, this film delivered so much more than I was expecting and I actually enjoyed it so much that I have already watched it multiple times.

After falling in love with the magic and spectacle of the Eurovision Song Contest as a young boy, Lars Erikssong (Will Ferrell) and his childhood best friend Sigrit (Rachel McAdams) have been dreaming about representing their country and winning the competition ever since. Lars’ ambition and focus is so absolute that normal grown-up milestones such as getting a job, finding love and getting married only offer distractions from his ultimate goal, much to the disappointment and disapproval of his father (Pierce Brosnan).

Despite being something of a laughing stock in their hometown of Husevik, a chance opportunity and freak accident see Lars and Sigrit aka ‘Fire Saga’ travelling to Edinburgh as Iceland’s representatives

The overall spectacle and flamboyancy of Eurovision matches perfectly with Will Ferrell’s typical over-the-top comedic style but rather than resort completely to type, he actually treats his subject matter with respect. Don’t get me wrong, there is still comedy, flamboyance and plenty of spectacle but it’s the somewhat pared back style that makes this film so enjoyable to me.

McAdams’ comedic chops are often underrated and I feel as though this film will be no exception as she reunites with Wedding Crashers director David Dobkin. As the second half of the Fire Saga duo, Sigrit is wide-eyed and innocent who still believes in Icelandic elves and McAdams delivers the performance perfectly.

Despite the strength of both Ferrell’s and McAdams’ performances, for me, it was Dan Stevens who stole the show with his turn as Russian contender and Eurovision favourite, Alexander Lemtov.

Fans of the real Eurovision Song Contest will recognise several cameos from previous contenders dotted throughout the film, particularly during the one of the central musical numbers. Speaking of musical numbers, the songs are surprisingly catchy but be warned, you might find yourselves subconsciously singing them to yourself days after watching the film.

Even if, like me, you are not a fan of the actual competition, I would still recommend giving this film a watch. You might be surprised.